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GIRL

And again I met up with Nicola. This is our new video. Enjoy! Model: instagram.com/nicolaca_ Videographer: viktorsommer.com instagram.com/viktorsommer

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NAKED MUSIC VIDEO - " MY ROOM " - HD Version

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Hear the original ZZ Top 'Eliminator' rehearsal tapes at: vimeo.com/215450297 +++ This Video & Music by Linden Hudson. Who is Linden Hudson? CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (Linden never received credit or monies for his work on this huge, multi-platinum, grammy nominated record album) LICKLIBRARY DOT COM INTERVIEW IN 2013, ZZ TOP'S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits these facts after 30 years, but still offers Linden no apology or reparations for lack of credits/monies) MUSICRADAR DOT COM (year 2013): Journalist Joe Bosso interviewed Billy Gibbons (ZZ Top guitarist). Gibbons began to break 30 years of silence about Linden Hudson introducing synthesizers into the ZZ Top sound. Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (End Quote) (Joe Bosso is ex-Editor-in-Chief of Guitar World magazine & ex-Vice President of A&R at Island Records.) +++ Read about Linden's shitty "Eliminator" album experience at: linden-hudson.com/press-media Also read his story at: linden-hudson.com/lindens-fame + Linden tells his story 30 years later. Although Linden is still living, he's like a ghost returning to haunt Billy Gibbons. The internet made that possible. +++ LINDEN HUDSON IS IN WIKIPEDIA (do a "find" on each page for Linden) en.wikipedia.org/wiki/ZZ_Top en.wikipedia.org/wiki/Eliminator_(album) en.wikipedia.org/wiki/Sharp_Dressed_Man en.wikipedia.org/wiki/Legs_(song) en.wikipedia.org/wiki/Got_Me_Under_Pressure +++ ABOUT THIS MUSIC VIDEO: Guitar, Instruments, songwriting & vocals by Linden Hudson. Art work by Enso England (of the UK ). Nude models: Liz Ashley & Tina Joe. Liz has posed for Penthouse, Playboy & Hustler. Tina Joe: ex-cheerleader. Video shot by Linden on palm camera. More Linden Hudson music videos at: vimeo.com/35142373 & vimeo.com/57391191 & vimeo.com/46109118 This video is not porn, it's intended as art, a show of beauty. In the USA we are promised freedom of speech & artistic expression.

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El SEVERO ME DUELE de El Gran Wyoming

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El documental "El Severo me duele" es la historia de unos profesionales de la sanidad pública perseguidos de forma injusta por intereses políticos ajenos al desarrollo de su ejercicio profesional. Reportaje El País: elpais.com/articulo/radio/television/Voces/miedo/elpepugen/20070510elpepirtv_3/Tes Un proyecto documental de: el Gran Wyoming Con la participación de... En la producción: Andrés Santana Ana Blázquez Yolanda Mulero Coordinación: Carlos Álvarez Cámara: Rafael Cedrés Rubén Fernández Lucía Andújar Manuel García Agustín Naranjo Fernando Benito Fco. Javier Martínez Sonido: David Rodríguez Charlie Méndez Koldo Corella Alberto Cuerva Roberto Herrador Montaje y Postproducción: Aymar del Amo (ZUCRE!) Asesoría montaje: Anastasi Rinos Música: Joan Valent Extraído del disco “Ínsula poética” Daniel Acedo (Man in Moon) Productora delegada La Sexta: Belén Giménez Imágenes de archivo: Localia TV La sexta Ibis Media Agradecimientos: Trabajadores del Hospital Severo Ochoa, médicos y personal sanitario que intervienen en la grabación. Pere Joan Ventura Imanol Uribe Diego Galán Antonio Travé Jonathan Marcos Iván Marcos Familia de Diego Dr. Carlos Barra Dr. Marciano Sánchez Bayle Dr. Juan Antonio Sánchez Cuello Rafael Burgos María Jesús Díaz Veiga Elena Regúlez Adolfo Barreda Twitter ZUCRE: twitter.com/#!/ZUCRE_FILMS Fakebook ZUCRE: facebook.com/pages/Zucre-Films/112580335739 facebook.com/pages/El-Nostre-Pol-Sud-Nuestro-Polo-Sur/178991202114461

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THE NAKED LIFE - “How little abstraction can art tolerate?” (2015)

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UNcensored videos here: unlimitedmuse.com/shop/the-naked-life-2/ THE NAKED LIFE - “How little abstraction can art tolerate?” (2015) Milo Moiré, nude, with a nude baby during the closing (2015/02/22) of “The naked life” in the LWL Museum of Art and Culture in Münster (Germany) to celebrate the exhibition. Milo and the baby looked at the nudes in the exhibition and, because of their own nakedness, became a part of it. In celebration of the exhibition “The naked life” in the LWL Museum of Art and Culture, the performance artist Milo Moiré challenges the fundamental attitudes towards abstract and figurative art. Isn’t a painting depicting natural themes itself an abstraction? What could be the absolute motif of an exhibition dedicated to the naked life, an exhibition which appeals to specific sensory experiences? In keeping with the approach of the artists exhibited, Milo Moiré brings everyday life to art. And yet, she goes one step further in removing herself from the abstract form of representation and shows her main motif of the naked life: A naked infant safe in the arms of a naked woman. This direct confrontation with live nude art challenges others to reflect on familiar forms of perception. How close may a form of representation in art approach real life? Milo Moiré’s performance leaves this question within the realm of the museum: “How little abstraction can art tolerate?” DAS NACKTE LEBEN – “Wie wenig Abstraktion verträgt die Kunst?” (2015) Nackte Milo Moiré mit nacktem Baby während der Finissage „Das nackte Leben“ am 22.02.2015 im LWL-Museum Münster. Milo und das Baby schauten sich die Akte an und wurden aufgrund ihrer Nacktheit selbst zum Akt. Anlässlich der Ausstellung „Das nackte Leben“ im LWL-Museum in Münster hinterfragt die Performancekünstlerin Milo Moiré die Grundhaltung zu abstrakter und figurativer Kunst. Ist ein Gemälde mit naturalistischem Inhalt nicht selbst eine Abstraktion? Was könnte das absolute Motiv einer Ausstellung, die sich dem nackten Leben widmet und nach konkreter Sinneserfahrung appelliert, sein? Milo Moiré holt in Einklang mit der Haltung der ausgestellten Künstler das Alltägliche in die Kunst, doch entfernt sie sich von der abstrakten Darstellungsform noch einen Schritt weiter und zeigt ihr Hauptmotiv nackten Lebens: Ein nackter Säugling geborgen im Arm einer nackten Frau. Diese unmittelbare Erfahrung des lebendigen Aktes fordert dazu auf, gewohnte Wahrnehmungsformen zu reflektieren. Wie nah darf die Darstellungsform in der Kunst sich am Alltäglichen bewegen? Milo Moiré’s Performance hinterlässt die Frage im musealem Raum: „Wie wenig Abstraktion verträgt die Kunst?”

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