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TLC Packer foreskin restoration device - application with fail-safe lace

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Ron Low - circumcised at birth in 1962 - demonstrates the application of the TLC Packer foreskin restoration device which now features a stainless loop tested for 20 pounds of tension, so the loop COULD be used for elastic or weighted tension. Note also that retaining cones are now supplied in clear silicone for better identification of situations where skin wrinkling needs to be addressed. Packing techniques are not for everyone. Extreme care is required to get a comfortable application while inducing sufficient tension, and it's very hard to know when sufficent tension exists and to reproduce that state time and again. The foreskin plays an important role in normal function. The skin that is commonly removed in circumcision is imbued with thousands of specialized nerve endings, highly sensitive to light touch. The restored skin protects the glans and adjacent mucosa, keeping these parts supple and sensitive. The normal or restored sheath of slack skin provides a mobility that lets the skin glide during intimacy and manipulation, affording the natural mode of frictionless stimulation. Non-surgical foreskin restoration involves tensioning the skin which induces the skin tube to grow longer so the surviving skin can function somewhat like a foreskin. Although there is no evidence that specialized nerve ending organelles regenerate, those nerve endings which remain can function more as seemingly "intended" by nature because the skin sheds thickened surface layers, stays moist, and slinks around to cause a bending and straightening of the skin which the nerve endings are seemingly "designed" to respond to. For help getting started with foreskin restoration, visit TLCTugger.com to see a wide range of tugging devices available, and Foreskin-Restoration.net/forum, a free online support group, to discuss restoration with thousands of experienced restoring men. To learn about protecting infants from forced genital cutting visit Circumstitions.com or IntactAmerica.org, or look for Intactivists on Facebook.

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MAGIC FLUIDS HDR

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HDR//4K//60fps For standard displays, please watch the SDR-Version: vimeo.com/363151905 MAGIC FLUIDS focuses on the development of traditional fluid art and color pouring methods for video on the macro scale. The challenge for me was to minimize randomness and to really get control over the fluids in terms of form, speed and direction. I ran R&D for a few month and poured several hundred sheets of paper with paint to finally get a handful of stable methods. This is a very clean style with an almost graphic CG-look, but all properties of real organic visuals. Almost all effects you see in this video were created in camera. The only thing I added in post was lightning on a few shots. The most important thing for me was to create a practical effect where a color appears from nothing on a totally black canvas and expands to all sides. To achieve this, I made use of a layering technique by stacking paints with different densities and blend them with a flow release medium. Over time, the lower layer breaches the upper layer and starts to float on top. You cannot tell exactly where the top layer will breach, but you have a few seconds to reframe as you see the bottom layer shimmering through. Another issue I wanted to solve for years was color separation when using marbling techniques. To get clean separation and fast motion at the same time, I worked out a method with printer refill inks and a set of different base mediums to mix each color with. You can see the results in the second part of MAGIC FLUIDS. Finally, the colors. I decided to limit myself to cyan, magenta and yellow and to get rid of any glitter and metallic this time. In the first part of the video, the edit shuffles back an forth between mono-chromatic and multi-colored scenes several times, because I wanted to establish all the 3 primaries and emphasize their impact when they blend to the full spectrum CMY/RGB. You never can tell to what hue the mixture finally shifts, but I saw pretty much all colors I could think of during these shoots. Available in 4K 60fps HDR. Music licensed via themusicbed: Alexander Lewis - Forward Terracollage // Experimental Fluid Art and Macro Cinematography // Stock Footage // Licensing // Production // 8K // HDR terracollage.com facebook.com/terracollage instagram.com/romandegiuli

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